“What kind of strings have you got on there?”
I was stepping off stage at an open mic night when I was first asked this question, and it completely dumbfounded me.
At this point in my life, I was young, naïve, and knew very little about my instrument.
“Uh… the good kind,” I responded, before beating a hasty retreat to the bar.
Fun fact: the strings on my acoustic guitar were not “the good kind.”
They were, in fact, the cheapest set they stocked in my local guitar shop.
The only reason I’d replaced the set of strings that were on the guitar when I bought it was because I broke my top E string during a particularly frenetic strumming session.
Like young me, many guitarists don’t give strings a second thought.
They should, though.
While seemingly inconsequential to the uninitiated, strings have a massive impact on your tone and your playing. That’s something I realized after this awkward encounter, and it’s stayed with me ever since.
But how do you find the right set of strings for your acoustic guitar? There’s a minefield of gauges and materials out there to navigate, and it can get pretty overwhelming if you’re not in the know.
Note: For the purposes of this guide, we’re talking about acoustic steel string guitars. We may come back to you classical nylon players in a future edition!
Strings come in a variety of different “gauges.” The gauge simply refers to the diameter of the string; in other words, how thick it is. String gauges range from light to heavy – here’s a run down of the most common types:
Those numbers on the end tell you how thick each string is in inches. And they get thicker as the strings get lower. With extra lights, for example, your top E string would be the .010, while your bottom E would be the .047.
As a rule, lighter gauge strings are easier to play, and hence find favour with beginner guitarists. However, they also have a tendency to break more easily. Heavier strings meanwhile, can provide a fuller tone, more volume and are more resilient against harder strumming.
In reality though, it’s not a simple as “light strings for beginners, heavy strings for pros.” There are, in fact, a number of factors other factors that will influence your choice in gauge.
You need to factor in the size of your guitar’s body, for example. Smaller bodied guitars often feel better and sound nicer with lighter strings. Contrastingly, the larger sound chamber of a large body or a jumbo acoustic benefits a heavier gauge.
But then, this might be tempered by the sound you’re going for. Heavier gauge strings emphasize your guitar’s low-end tones, while lighter strings are, by-and-large, brighter and sweeter sounding.
And, you need to factor in whether you’re a finger picker or a plectrum player. Lighter strings benefit fingerpickers as they’re kinder on the fingertips, while heavier strummers need heavier strings (I’m definitely in the latter category).
It’s not just about the gauge! Strings come in a variety of materials, and these can affect tone, playing and longevity:
Bronze: Constructed with 80 percent copper and 20 percent zinc, these will provide you with a bright and ringing tone. But, as anyone who knows their chemistry will tell you, bronze oxidizes, so expect them to age quickly.
Phosphor bronze: As the name suggests, these are bronze strings with phosphor added. Phosphor extends the life of the strings, but also changes the tonal quality, making them warmer and darker than standard bronze.
Brass Strings: Less popular than their Bronze and Phosphor Bronze counterparts, these ones are quite harsh and in-your face sounding; almost banjo-like tonally.
Their advantage is that they cut through a noisy mix, and they’re handy for buskers and those who perform in public places.
Silk and Steel: Soft and mellow, these ones are easy to play, but not that durable. They’re great for fingerstyle players as they mimic the feel of a nylon string guitar and create less string noise when fingers slide-up and down the fretboard. They are also the perfect strings for kids or others just starting out, who find it hard to fully depress the strings.
A final note on acoustic guitar strings: YOU NEED TO CHANGE THEM! How regularly depends on how often you’re playing. Occasional strummers might get away with a switch every six weeks while gigging guitarists might need to change them every few days. Whatever you do though, don’t leave your strings on until they sound duller than a seminar on paint drying – it’s not fair on your guitar!
What strings do you use on your acoustic guitar, and how often do you change them? Let us know in the comments.
Cal Jam doesn’t get the same love as festivals like Monterey Pop or Woodstock. Maybe it’s because it doesn’t have the late ‘60s countercultural cred, happening a full five years after the summer of love reached its peak. Maybe it’s because it was staged to be filmed for television (as part of ABC’s legendary “In Concert” series). Why do I love California Jam so much? It is because it established the record for the largest concert sound system ever assembled? Was it because it featured the first ever appearance of the Good Year blimp at a music festival?
Guitar lessons eventually followed. But, classical guitar didn’t grab me in the same way that my own freeform compositions had. Firstly, I didn’t know any of the songs I was supposed to be learning. Secondly, it required the kind of co-ordination and finger dexterity that I was – at that time at least – far too impatient to master. “I read somewhere that there are these things you can use to hit the strings so you don’t have to use your fingers. I think they began with a P,” I once told my guitar teacher. “The thing that begins with a P is called practice,” he replied. He was right, of course, but that didn’t mean I wanted to hear it.
This week, to satisfy my yearning for live music, I’ve taken a deep dive into my record collection and rediscovered some live favourites. Given how much joy I’ve got out of these records, I thought I’d share them with you today. Putting together this list, I’ve tried to take the road less travelled. I didn’t want to put together a list of classic live albums that everyone already knows like the back of their hand. Instead, my three picks serve as alternatives to some of those classic albums, offering a new look at some legendary bands.