Fingerboard Stories
His sound is not far from the truth. As stated earlier, he would fit in with a lot of older artists and is musically a standout in today’s modern country scene. As he stated in an interview with the Guardian in 2019: “Let’s not just Solo cup and pickup truck it to death. Let’s handle this in a smart way. Nobody is thinking about lyrical content, or how we’re moving people, or what’s going on in the background of their minds.”
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In my formative years, my guitar teacher Jean-Marc Guenette gave me a set of strumming exercises to work on. These exercises had me counting a series of 16th notes, strumming on some, not on others, all while keeping a constant down-up motion with my right hand.
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In 2019, Bryan amassed a collection of songs written in just a couple of months. He and his friends rented an Airbnb in Florida, threw some mattresses on the walls to create a makeshift studio and recorded what was to be his debut album DeAnn (named after his late mother). It was also around this time that the YouTube video for the song “Heading South” was uploaded to YouTube.
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Nashville session guitarist Ray Edenton is often credited with developing this tuning, looking for a way to get more jangle out of the acoustic guitar while reducing the inherent boomy-ness of the instrument. What he got were the jangly characteristics that are common on a 12-string guitar without the lower octaves adding any low end to the sound.
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When I started teaching guitar, I began by using whatever method books the schools and music stores used but found that the exercises were just that, exercises. Good lessons, but nothing that the student wanted to play. Anyone who tries their hand at guitar wants to play songs and riffs and doesn’t care for scales and theory (at least not at first).
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