Partial capos used to be something of a niche product, but in the past few years, they’ve grown exponentially in popularity.
But what is a partial capo, and why do you need one?
Partial capos have amazing applications for players at every stage of guitar playing. They’re incredibly useful for beginners struggling with learning chord shapes, they make alternate tunings a breeze, especially when playing live, and they unlock new sonic possibilities, facilitating sounds you didn’t know your guitar could make.
If you’re on the fence about whether you need a partial capo in your gig bag, check out these three ways it can transform your guitar playing.
The Beginner’s Friend
If you’re new to learning the guitar and struggling to remember the myriad chord shapes, a partial capo could be your new best friend.
Getting to grips with mastering guitar chords isn’t easy. It requires accurately placing multiple fingers on the fretboard at the same time, while simultaneously trying to concentrate on strumming with the right hand.
This is a process that can take months to get to grips with. It’s the first hurdle that many beginner guitarists face, and also the first hurdle at which many fall.
The advantage to using a partial capo – in this case, an Esus 3-string capo – is that it simplifies chords, allowing beginners to play many chord shapes with just one finger.
As a result, beginners can concentrate on what their right hand is doing before worrying about the left hand, mastering strumming before moving onto chord shapes.
The instant gratification of getting a good sound straight away is incredibly motivating and encourages perseverance; it’s perhaps for this reason that partial capos have become a mainstay when teaching young children guitar.
And, those chords sound really good! In the Esus configuration, they’re full, complex and very rewarding to the player.
Alternate Tunings (Without Retuning)
Given their usefulness for absolute beginners, there are those out there that dismiss partial capos as little more than training wheels for newbie players.
But, there’s so much more to the partial capo than one-finger chord shapes.
If you’re a fan of alternate tunings, for example, the partial capo might just be your new best friend.
Using partial capos allows you to explore countless alternate tunings without needing to retune your guitar. This is great, both for exploring new ideas on the fly without having to break your creative flow, and for live applications, where your time for retuning is severely compromised.
Take the perennially popular DADGAD tuning for example. Depress the 3rd, 4th and 5th strings on the second fret with a partial capo while in standard tuning and you’re there. Celtic drones and Jimmy Page-style “Kashmir” riffs await without the hassle of rummaging around in your gig bag.
Unlocking New Possibilities
Partial capos are great for simplifying existing guitar concepts. But, perhaps their greatest strength lies in unlocking sounds that wouldn’t normally be possible on a capo-less guitar.
Take, for example, the so-called “partial drop D” setup popular amongst many partial capo users.
This involves placing a partial capo across the top five strings of the guitar at the second fret. The name is actually something of a misnomer. While it simulates the effect of the popular drop D tuning, you’re raising the pitch of the top five strings rather by a step rather than lowering the bottom string a step; effectively, it’s drop E tuning.
Put your partial capo in this position and play a D chord shape. Notice how huge, and luscious the chord sound is compared to normal, with the root played on both the fourth and sixth strings.
It’s the same kind of effect that you’d get in drop D. Now, play a G chord shape. If you were playing in traditional drop D tuning, you’d expect it to sound off because of the detuned E-string. But here, it sounds like it should.
When playing with a partial capo, any notes fretted on the sixth string behaves as it would in standard tuning. In “partial drop D,” this means that you can play G, A, F and C chord shape as normal, while still taking advantage of that low bass note on the D (the E chord shape is trickier, however, as the bottom string is normally played open).
Popular with singer-songwriters looking for a full tone when playing unaccompanied, the result is a kind of “best-of-both” worlds between standard and drop tuning. And, it’s a sound that can only be achieved with the use of partial capo.
There are plenty of other “outside the box” sonic possibilities that a partial capo brings. Coming back to open tunings, there are a number of guitarists that use partial capos aftertuning their guitar to DADGAD or Open G. By using a partial capo on topof alternate tunings, the weird, wonderful and entirely out-of-the-ordinary sounds attainable on your guitar are even greater than before.
Great for beginners, for alternate tuning fans, and for those wishing to push the sonic envelope, partial capos are amazing tools for unlocking your guitar playing potential. Whatever your playing ability, they’re well worth a try.
Cal Jam doesn’t get the same love as festivals like Monterey Pop or Woodstock. Maybe it’s because it doesn’t have the late ‘60s countercultural cred, happening a full five years after the summer of love reached its peak. Maybe it’s because it was staged to be filmed for television (as part of ABC’s legendary “In Concert” series). Why do I love California Jam so much? It is because it established the record for the largest concert sound system ever assembled? Was it because it featured the first ever appearance of the Good Year blimp at a music festival?
Guitar lessons eventually followed. But, classical guitar didn’t grab me in the same way that my own freeform compositions had. Firstly, I didn’t know any of the songs I was supposed to be learning. Secondly, it required the kind of co-ordination and finger dexterity that I was – at that time at least – far too impatient to master. “I read somewhere that there are these things you can use to hit the strings so you don’t have to use your fingers. I think they began with a P,” I once told my guitar teacher. “The thing that begins with a P is called practice,” he replied. He was right, of course, but that didn’t mean I wanted to hear it.
This week, to satisfy my yearning for live music, I’ve taken a deep dive into my record collection and rediscovered some live favourites. Given how much joy I’ve got out of these records, I thought I’d share them with you today. Putting together this list, I’ve tried to take the road less travelled. I didn’t want to put together a list of classic live albums that everyone already knows like the back of their hand. Instead, my three picks serve as alternatives to some of those classic albums, offering a new look at some legendary bands.