Fingerboard Stories
The Grand Auditorium Bodyshape, the NT Neck and “V-Class” Bracing are all products of the company’s unique approach, and brought new life to a centuries old instrument. It’s not just Taylor’s instruments that win them accolades, though. In the past twenty years, the company has led the charge when it comes to making sustainable guitars. Today, we’re going to find out how they changed the sustainability game by changing the way they sourced their woods.
Back in 2018, we ran a feature on the history of the Martin D-28. Today, for a long overdue follow-up, we’re looking at some of the players that made the guitar so iconic. The list of legendary D-28 wielders is so long that we’d need an entire article series to cover them all. For the time being though, we’re focusing on three of our D-28 playing guitar heroes and the stories behind their instruments.
In the world of rock n’ roll, they don’t come much more iconic than Chuck Berry. One of the most influential players of all time, the likes of John Lennon, Keith Richards and Angus Young owe an enormous debt of gratitude to Chuck and the legacy of music he created. It goes without saying, then, that studying Chuck’s playing is about as fundamental a course in rock guitar as you can get. Today, we’re highlighting three ways that you can achieve that classic Chuck Berry sound.
As rock critic Colin Maguire noted, on one side were the Collins detractors who claimed "[Genesis] sold out and became too corporate when Collins stepped into the spotlight." On the other were those who argued that “the [prog-heavy] Gabriel years were boring and hard to stomach.” Today, those factions remain.
Black Sabbath’s Tony Iommi is the man who invented heavy metal. “War Pigs,” “Children of the Grave,” “Symptom of the Universe”: those seismic riffs presented a blueprint that a generation of hard rock axe-wielders would follow. Circa 1970, Iommi’s playing sounded like nothing out there. His doom-leaden, monolithic, end-of-the world riffs were, well, heavy… man.
