Fingerboard Stories

Pedal Board 101: The Ibanez Tube Screamer TS808
Stomp boxes don’t come much more iconic than the Ibanez Tube Screamer. Arguably the most beloved overdrive pedal of all time, it’s an institution in everything from country to blues to heavy metal. The Edge; Stevie Ray Vaughan; Michael Schenker and Noel Gallagher – all have used a Tube Screamer to sculpt their tone at one time or another. In this article, we’re going to look at the birth of the Tube Screamer, its humble beginnings and why it has that sweet, vocal mid-range hump it’s so celebrated for.
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RIP Martin Birch: Five Classic Tracks

Earlier this week, we lost one of the greatest rock producers of all time. You’ve only got to look at the list of bands Martin Birch worked with to recognize his impact on rock n’ roll. He cut his teeth engineering for Fleetwood Mac and Wishbone Ash before moving on to producing such legends as Black Sabbath, Deep Purple, Rainbow and Iron Maiden. Today, in honor of the late, great production wizard, we’re taking a run through five classic Martin Birch-produced tracks and talking about what makes them so great.

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The Kinks: How Dave Davies’ Slashed Amp Created Rock Distortion

When it comes to breakout singles, they don’t get much better than “You Really Got Me.” The 1964 track didn’t just put the Kinks on the map; it changed the rock n’ roll landscape with its incendiary guitar tone. “You Really Got Me” brought distorted guitar to the masses. It’s the genesis of all things hard and heavy in rock. And, as the legend goes, it was an act of aggression from Kinks guitarist Dave Davis that created the sound and started an amplifier revolution in the process.

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Peter Green: Remembering a Legend

That the instrumental Albatross was a mammoth hit for Fleetwood Mac is testament to the lyrical nature of Green’s guitar playing. One of the biggest selling instrumental songs in English history, it’s the track that the Beatles wished they’d written. As Rolling Stone notes: “Its heavily reverbed guitar partially inspired the Beatles’ “Sun King.” “We said, ‘Let’s be Fleetwood Mac doing “Albatross,” just to get going,’ ” George Harrison recalled. “It never really sounded like Fleetwood Mac  …  but that was the point of origin.”

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Who Is Your Ultimate ‘70s Fantasy Supergroup?
By the time I read that the album included a bonus track featuring the work of one Mr. James Patrick Page, I was practically throwing banknotes at the screen. The Stones and Led Zeppelin are two of my all time favorite bands. The prospect of those two entities combined into one glorious rock ‘n’ roll supergroup? Of Messrs Richards, Jagger and Page together on wax at last? Shut up and take my money. 
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