The small, but mighty capo is a seriously useful tool to have in your gig bag.
It opens up your fretboard, means you can learn lots of songs without learning complicated chords, and makes transposing songs into different keys a breeze.
Capos are great for making guitar playing simple. But, figuring out which fret to place your capo on can sometimes be confusing.
That’s where guitar capo charts come in! They’re a handy resource for working out where you need to place your capo to get the sound you’re going for.
Here at Thalia, we’ve created two capo charts for your perusal.
The first, our capo chord chart is a concise, handy guide for transposing chord shapes that’s great for beginners, as well as for quick reference.
Our capo key chart meanwhile, is a more complete resource for those that want to go a bit deeper. Click either chart to get a PDF for easy printing or downloading.
Both are used the same way, and the instructions below are applicable to the chord and key charts.
Guitar Capo Charts: The Two Main Uses
Your guitar capo chart has two main functions, both of which will help you get the most out of your capo in your guitar playing.
Function number one is to learn a song in the original key, but with simpler chords
If you’ve ever wanted to learn a song, but have been thwarted by the array of complex chord shapes you’re presented with, then this is the function you need.
All you have to do is:
From there, it’s easy to play classic songs in the original recording key. You won’t be referring to a chord dictionary every five seconds to learn an obscure, one-time-use chord shape. In short, you can get on with the most fun part of guitar playing; the playing itself.
Function number two is to work out which chords you’re playing when using your capo.
As we’ve talked about in a previous post, your guitar capo is an amazing creative tool when it comes to unlocking new sounds. But, while it’s all well and good coming up with a new and exciting riff while using your capo, communicating that riff to capo-less band mates/jamming buddies is sometimes a challenge.
Fortunately, the capo chart makes this process easy:
Now that you’ve worked out what you’re actually playing, you can communicate that information to the other musicians you’re with, making the process of jamming much more fun!
“Jim Marshall & Son” opened in July 1960 at 76 Uxbridge Road in Hanwell, England. For the aspiring instrument seller, it was a case of right place; right time. Within a few short years, the London rock scene was burgeoning. Soon, the likes of Mitch Mitchell, Pete Townshend, Eric Clapton and John Entwistle flocked to the renamed “J & T Marshall”, by now the de-jour supplier of guitars and amplifiers for the new breed.
Arguably rock’s greatest producer, nobody captures those sounds better than Eddie Kramer. Even if you don’t know the name, you’ll know the records he helped make: Led Zeppelin II, Frampton Comes Alive, Physical Graffiti, Kiss Alive!, The Woodstock Soundtrack, All You Need Is Love and pretty much the entire discography of Jimi Hendrix. Given his near sixty-year career behind the mixing desk, Kramer has a thing-or-two to impart about the ins-and-outs of the recording process. Today, we’ve selected some choice observations from our favourite Eddie Kramer interviews.